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One of the Greatest Songs Ever Recorded: “This Boy” by The Beatles!!!

For my writings on songs by The Beatles, my starting point is that each one is  “One of the Greatest Songs Ever Recorded!” (GSER)

I will try to offer some personal aspects about each song, and not just a rote retelling of it.

My radio show, “Theme Attic,”  is on Wednesdays from 1PM-4PM ET.

The show can be heard on WHFR 89.3 FM in the Dearborn-Detroit area of Michigan, or it can be streamed with this link:!

Here’s a link to have a look at other “The Greatest Songs Ever Recorded”:! Occasionally, an “awesome song” crosses over to become a “Greatest Song!”

This will be fun, and hopefully you will join me on my journey!

If you like what you see, don’t forget to spread the word by hitting the “like” button on my Facebook page, Phil Maq!


Right from the three opening acoustic strums, The Beatles,’ “This Boy,” lets the listener know that this musical journey will not be a Mersey beat rocker.

One thing you could definitely say about The Beatles is that they communicated a lot of information in a short amount of time: short intros, choruses, and solos made up the bulk of their catalog.

In the intro to “This Boy,” the group signals that they would not remain stagnant–even when following a slow ballad format.

Ringo Starr taps out the 12/8 time on his hi-hat, something that was rarely done on pop songs!

Paul McCartney introduces a melodic bass line for the first time! His bass lines became a signature sound of his playing that he has been identified with throughout his career!

George Harrison and John Lennon provide some 50’s sounding guitar chords that move the song to the lyrics.

That’s a ton of info for nine seconds!

“This Boy” was somewhat of a conscious effort to replace a staple of their live performances (“To Know Him Is to Love Him” made famous by The Teddy Bears), with an original doo-wop sounding original of their own. That explains the retro approach.

When the vocals begin, it’s the sound of a three part harmony sounding as one voice! It’s a trait that The Beatles would return to over the years.

The song is a pretty straight forward tale of a guy trying to explain to his former love interest that she’s with the wrong guy. However, he let’s her know that he’ll still be there holding that torch for her after he hurts her.

When it gets to the middle eight, Ringo starts to play some accents on the hi-hat before he steers the song into a 4/4 rhythm.

I’ve read that Lennon had thought about having an instrumental middle section.

It is so very fortuitous that his mind was changed because he delivers one of the greatest, sincere and most heartfelt vocals in music history!

“Oh and this boy
Would be happy
Just to love you
But oh my
That boy
Won’t be happy
Till he’s seen you cry.”

“This Boy”

When the music breaks on “cry” and John’s vocal is out there naked and unaccompanied, the listener can hear his heartache!

I’m guessing that “This Boy” is the first slow song that I heard by The Beatles since it was situated as the third track on the “Meet The Beatles” LP–my first exposure to the band, following “I Want To Hold Your Hand” and “I Saw Her Standing There,” the songs that preceded it.

I think that was significant to me because, although I really didn’t know much about The Beatles, the buzz from everybody who was older was that they were rockers. Yet, here was a song that, obviously, was a slow, quieter one. With beautiful harmonies!

Even I could tell at that young age that their strange British harmonies were good!

“This Boy” opened my musical interests to a whole new world of sounds and emotions!

If I have any negative criticism about the “This Boy,” I have to say that the edit that finishes the song after John’s great solo vocal, is sometimes jarring to me, especially the better the recording is.

And I would have gone through the middle eight a second time just hear Lennon’s superb vocal again.

But those are minor flaws.

I’m also happy that the American single for “I Want to Hold Your Hand” had “I Saw Her Standing There” as the B-side as compared to “This Boy” on the UK and Canadian versions.

Personal preference.

One of the Greatest Songs Ever Recorded is “This Boy” by The Beatles!!!


I have plenty of other musical areas to explore:

The Most Awesomest Songs of the Day

Here’s a link for my weekly list of Fave Songs:

Here’s a link for my weekly Fave Album lists:

My somewhat unusual Hall of Fame can be explored here:!

Lastly, but most importantly, is my Philby Awards link! A Philby is my annual award for outstanding musical achievement!!

If you like what you see, don’t forget to spread the word by hitting the “like” button on my Facebook page, Phil Maq!

#ThisBoy #TheBeatles #JohnLennon #MeetTheBeatles #BeatleBSides #PastMasters #PhilMaq #OneoftheGreatestSongsEverRecorded #GSER

One of the Greatest Songs Ever Recorded: “Little Woman Love” by Wings (Paul McCartney)!!!

For as long as I’ve been on the radio, and definitely for as long as I’ve been writing a blog, I will occasionally make a reference to a song being “One of the Greatest Songs Ever Recorded!” (GSER)

I would usually follow that by saying that I would eventually start a category for it, but then never get around to it.

Well, now I’m getting around to it!

It will pretty much follow the pattern of The Most Awesomest Song of the Day.

I’ll select a song to celebrate and then give my thoughts about it. Nothing really brand new here that hasn’t been done before. But since I have a website, I can collect them and lay out what my own greatest songs are.

My radio show, “Theme Attic,”  is on Wednesdays 2PM-4PM ET.

Even though I always emphasize new music and artists, it’s always fun to take a short drive through the legendary artists, since they influenced those other artists!

But a song doesn’t have to be old or done by a legendary Theme Attic Hall of Fame member to be thus honored.

I can think of several songs that are only a few years old or less that I could identify as One of the Greatest Songs Ever Recorded.

This will be fun, and hopefully you will join me on my journey!


In the early years following The Beatles breakup, FM radio was establishing itself as the best medium for songs and information for decades to follow.

AM radio was pretty much unlistenable except for a couple of songs, because everything of substance was still available on FM.

Albums ruled the music world, but Paul McCartney chose to release a series of disconnected singles.

In May 1972, McCartney–performing as Wings, released an innocuous single: “Mary Had a Little Lamb” b/w “Little Woman Love.”

Hopefully, I’ll write about “Lamb” some other day.

I bought the single within the first week of its release. My initial response was that I liked it and…I mean, come on! It was Paul McCartney!

Since The Beatles had taught us several years ago to always listen to the B side, I have to admit that I was stunned listening to “Little Woman Love” for the first time!

What a brilliant little gem!

It opens with a barrelhouse piano riff that’s sticks better than Super Glue!

That forms the foundation of the song.

Everything else is triggered off the piano groove, which undergoes subtle changes throughout “Little Woman Love.”

In my mind, I have an image of Paul being some kind of madcap chef making one of his signature dishes, but he seems to have lost his recipe. So he ends up adding flourishes of “spices” where he thinks he needs it: A splash of slap back bass over here! A pinch of conga drum over there!

McCartney has plenty of jazz “sous chefs” in the kitchen helping him out: nimble Dave Spinozza and studio musician Hugh McCracken on guitars, and Milt Hinton on the previously mentioned bass–who gets a nice solo in the process!

Future “Winger” Denny Seiwell does a nice job staying in the pocket on drums and percussion!

This group really knows how to cook, and the “Little Woman Love” gumbo is actually very tasty!

The music is so good that it masks, possibly the worst middle eight that McCartney ever wrote, complete with a couple of minor augmented chords:

“Oh, yeah, oh, yeah.

Woah oh oh unh unh unh.” (Repeat)

However, the music is so good, you can’t help but sing along without giving it a thought!

It’s absolutely Beatle worthy to me!

One last thought:

I’ve read that the song was left off of Paul’s “Ram” album. When that album was released on CD years later, “Little Woman Love” was issued as a bonus track.

Ironically, when the most recent version of “Red Rose Speedway” was released, It also appeared on that one, too!

Another interesting aside is that because of the slap back solo, the song is often categorized as a “rockabilly” tune. Interesting because of the jazz musicians playing on it!

Regardless, it is two minutes plus of pure magic! Like most great songs, it’s over before you realize it!

It is a song that sounds like everyone was having a good time contributing and making music for music’s sake!

One of the Greatest Songs Ever Recorded is “Little Woman Love” by Wings!!!


If you like what you see, don’t forget to spread the word by hitting the “like” button on my Facebook page, Phil Maq!

#Wings #LittleWomanLove #PaulMcCartney #PhilMaq #OneoftheGreatestSongsEverRecorded #GSER